The Beatles At The Hollywood Bowl • Beatles US album • Sleeve notes

The Beatles At The Hollywood Bowl – Sleeve notes

‘The Beatles At The Hollywood Bowl’ USA album – front cover
Front cover
‘The Beatles At The Hollywood Bowl’ USA album – back cover
Back cover
‘The Beatles At The Hollywood Bowl’ USA album – Capitol record label
Record label
  • Label: Capitol SMAS 11638
  • Released: 4th May 1977
  • Sales figures: over 1 million; Certified Gold – 5th May 1977; Certified Platinum – 12th August 1977
  • Peak position:
    Billboard – #2;
    Cashbox – #3;
    Record World – #7
  • Weeks in chart: 17 – from 21st May 1977

Over twelve years ago the Beatles appeared for the first time at The Hollywood Bowl in Los Angeles. It was not long after they had made their first impact on the United States, but already two years after I had signed them to a recording contract for EMI. Frankly, I was not in favor of taping their performance. I knew the quality of recording could not equal what we could do in the studio, but we thought we would try anyhow. Technically, the results were disappointing; the conditions for the engineers were arduous in the extreme. The chaos, I might almost say panic, that reigned at these concerts was unbelievable unless you were there. Only three track recording was possible; the Beatles had no “fold back” speakers, so they could not hear what they were singing, and the eternal shriek from 17,000 healthy, young lungs made even a jet plane inaudible.

A year later, in 1965, John, Paul, George and Ringo appeared again at The Hollywood Bowl and again Capitol taped the show for posterity, and there the tapes remained for over a decade. Neither the boys nor I considered they should be used because they consisted of titles that had already been issued as studio recordings, we often spoke of making a live recording, and in fact the ill-fated “Let It Be” album began as an attempt to make a live record of new material.

It was with some misgivings therefore that I agreed to listen to those early tapes at the request of Bhaskar Menon, Capitol’s president. The fact that they were the only live recordings of the Beatles in existence (if you discount inferior bootlegs) did not impress me. What did impress me, however, was the electric atmosphere and raw energy that came over.

And so, together with my recording engineer, Geoff Emerick, I set to work to bring the performance back to life. It was a labor of love, for we did not know if we could make them good enough for the world to hear – let alone John, Paul, George and Ringo.

We transferred the vintage three track tapes to modern multi-track, remixed, filtered, equalized and generally polished the tapes. Then, by careful editing from the two performances, we produced the performance that you hear now, obviously there has been no overdubbing. All the voices and instruments are the original performance (some of the vocal balances, with three singers on one track are evidence enough). But it is a piece of history that will not occur again.

Those of us who were lucky enough to be present at a live Beatle concert – be it in Liverpool, London, New York, Washigton, Los Angeles, Tokyo, Sydney or wherever – will know how amazing, how unique those performances were. It was not just the voice of the Beatles: it was expression of the young people of the world.

And for the others who wondered what on Earth all the fuss was about, this album may give a little clue. It may be a poor substitute for the reality of those times, but it is now all there is.

In the multiplatinum, sophisticated world we live in today, it is difficult to appreciate the excitement of the Beatles breakthrough. My youngest daughter, Lucy, now nine years old, once asked me about them, “You used to record them, didn’t you, Daddy?” she asked, “Were they as great as the Bay City Rollers?” “Probably not,” I replied. Some day she will find out.

Those who clamour for a Beatle reunion cannot see that it can never be the same again. The boys in their own way gave a great deal of their lives to us by being Beatles. And now they have found their own individual selves. Good luck to them. I am very proud to have been part of their story.

Thank you John, Paul, George and Ringo.

George Martin

USA albums 1964Introducing The Beatles Meet The Beatles! The Beatles With Tony Sheridan And Guests Jolly What! Englands Greatest Recording Stars The Beatles & Frank Ifield On Stage The Beatles Second Album A Hard Days Night Songs, Pictures And Stories Of The Fabulous Beatles Something New The Beatles vs The Four Seasons Aint She Sweet The Beatles Story Beatles 65USA albums 1965The Early Beatles Beatles VI Help! The Savage Young Beatles Rubber SoulUSA albums 1966“Yesterday”… And Today Revolver This Is Where It Started The Amazing Beatles & Other Great English Group SoundsUSA albums 1967Sgt. Peppers Lonely Hearts Club Band Magical Mystery TourUSA albums 1968The Beatles (aka The White Album)USA albums 1969Yellow Submarine Abbey RoadUSA albums 1970Hey Jude The Beatles – In The Beginning (Circa 1960) Let It BeUSA albums 1973The Beatles / 1962-1966 (aka The Red Album) The Beatles / 1967-1970 (aka The Blue Album)USA albums 1974The Beatles Special Limited EditionUSA albums 1976Rock N Roll MusicUSA albums 1977The Beatles At The Hollywood BowlLive! At The Star-Club In Hamburg, Germany 1962 Love SongsUSA albums 1978The Beatles CollectionUSA albums 1980Rarities Rock N Roll Music Volume 1 Rock N Roll Music Volume 2USA albums 1982Reel Music The Complete Silver Beatles The Beatles / The Collection 20 Greatest HitsUSA albums 1988Past Masters Volume 1 Past Masters Volume 2 The Beatles Deluxe Box-SetUSA albums 1994Live At The BBCUSA albums 1995Anthology 1USA albums 1996Anthology 2 Anthology 3USA albums 1999Yellow Submarine SongtrackUSA albums 20001USA albums 2003Let It Be… NakedUSA albums 2004The Capitol Albums Volume 1USA albums 2006The Capitol Albums Volume 2 LoveUSA albums 2009The Beatles In Mono The Beatles Stereo Box-SetUSA albums 2014The US Albums is not affiliated with or approved by The Beatles, Apple, MPL, EMI or Capitol Records.
Original content Copyright © 2017 Craig Cross / All rights reserved.
No part of this website may be reproduced, stored in a retrieval system, or transmitted in any form without the prior written permission of the author.